So pleased to see that Jon Gray’s long awaited first novel has been published. ‘Dead Line’ an exciting spy thriller.
‘Doing MI6’s dirty work has cost Charlie Dangerfield his soul. While recruiting his best friend for a treacherous assignment to North Korea, he hides the fact it’s a one-way ticket. But the hardened British intelligence officer’s unfazed, until his friend’s sister hits him with a gut-punch to his conscience.’
The main character ‘Dangerfield’ is fascinating, reckless, sardonic…give yourself a helluva ride, thrills and spills, and read this one…You can pick up, for just £2.99, your Kindle edition here
‘DEADLINE is the first book in the gripping Charlie Dangerfield spy thriller series. If you like gritty heroes, intricate plots, and high-octane action, then you’ll love Jon Gray’s edge-of-your-seat race against time. Buy DEADLINE to dive headfirst into danger today!’
Nigel Kent - Poet and Reviewer
In writing this review I must declare an interest. I first met Ross McGivern on an Open University Poetry Society workshop four years ago and was immediately impressed by his talent. I have also had the privilege to be able to witness the development of Fragments and Stages into the impressive chapbook that it is. As he explained in his fascinating drop in last week, it charts the challenging year that he and his wife faced, when she underwent treatment for Hodgkin’s Lymphoma. One might expect such subject matter to be unrelentingly grim, but I found the work to be both life-affirming and uplifting.
Yes, it’s true that McGivern does not shy away from conveying the horrors of cancer treatment. There are vivid portrayals of its physical effects: the ‘hair loss and sickness’, the ‘fatigue and dropped weight’, the fact that ‘you’ll feel shit before you feel better.’ (Known…
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For National Poetry Day 2021, a poem from my recent collection.
‘Letter Writing in the Moonlight’ was written for the Worcestershire Poet Laureate Nina Lewis’s 2017 project ‘A Tale of Two Cities’ in which Worcester UK poets were matched with Worcester USA poets and created ‘call and response’ poems.
Letter Writing in the Moonlight
Beneath the apple tree
all is still.
Night, as dark as her lover,
veils the lush grass;
bramble and thistle
scratch, inscribe the ground.
A mist hovers,
loathe to leave the river,
low down in the depths of the garden
where mud oozes
and the odour of damp
The bench is warm,
as graffitied as her heart.
Love holds her
like the mist—all pervasive—
toads and crickets mock,
A moonbeam strikes
Clouds steal onwards
and soon the lawn
is shown in a puddle of silver light.
She puts pen to paper.
From Growing Places (Black Pear Press, 2021)
It’s always good to see a review from over the pond, and extra special when it’s a friend well met years ago when I first started posting my poetry online. This review for Growing Places is from Carrie Rubin, who’s just published the third in her Benjamin Oris series about a man of science who faces otherworldly situations, The Bone Elixir, read all three, they’re great reads.
So good to see other reviews of Growing Places coming through, the latest from “Mad Hatter Reviews” written by Beth O’Brien, you can see it below.
Another beautiful collection
Reviewed in the United States on September 29, 2021
“As with all of Stretton’s poetry, one is immediately drawn into her evocative prose and the worlds she creates. The places of the poet’s past leap from the verses, as if the reader is visiting these rich landscapes of England themselves. Add to this the elements of nature, as well as the human characters Stretton brings to life, and the reader is easily transported away:
“Find the Persian pebble-edged river,
cross the candyfloss bridge
to pure graph paper.
“Rust green spires spring
over yellow tilted shades,
hear bombus choirs sing
above parasol parades.
“Delicious! And proof yet again of why Stretton is one of the few writers who can get a novel-fan like me to read poetry. Highly recommend.”
A Mad Hatter Review
Hot on the heels of Carrie’s review came another, this one from the fabulous Beth O’Brien for Mad Hatter Reviews. Here’s an extract from Beth’s review of Growing Places:
“From the child’s understanding of her parents, to the closeness of two sisters, the poems establish a firm ground of loyalty. ‘Her girls’ is one of my favourite poems of the collection, which opens with the lines ‘We do not share blood, / we share memories’. These memories are of an inseparable nature, of makeup experiments and the ‘hottest, burniest’ holidays. Stretton’s poetry seems to speak delight from the page, the short lines and rhymes making it a joy to read as well as feel.
“Of course, place is very important in this collection, which is divided into sections accordingly. As part one, ‘Malvern’ moves to part two, ‘Malvern Hills’ we escape into nature, silence, slopes, and echoes. The short poems in this section are like bursts of memory, contained like ‘Moonlight in Jars’, held up one by one to show off something else that is beautiful.” Read Beth’s full review here.